Various - Sklash - Rare Tracks From The Psychedelic Aera album FLAC
The album cover is a folded piece of printed cardboard, the package was sold in a plastic sleeve. A photocopied DIN A4 sheet with tracklisting and information was included. The original matrix numbers are throroughly scratched out on both sides, all information except artist, tracks and 33rpm are made completely illegible with a marker pen. The label rim elevation, position of the original runout stamps and the origin of the release indicate cutting and pressing by PRS GesmbH (cut most probably by Helmut Leistner ).
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Psychedelic '60s - Rare Tracks - Love Love Love, Garden Of My Mind, Mrs. Gillespie's Refrigerator and 81 more tracks from this album here for free. More albums by this artist. Psychedelic '60s - Rare Tracks. Count: 81. Views: 59. Psychedelic '60s - Rare Tracks tracks.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles released in the mid-to-late 1960s. It was assembled by Lenny Kaye, who at the time was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye worked on Nuggets under the supervision of Jac Holzman, founder of Elektra Records.
Listen free to Various Artists – Rare Tracks from the Sixties, Vol. 18 (Buttons and Bows, Where Is He and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Connect to this site.
Songs from Psychedelic '60s - Rare Tracks by A Bunch, . Free download and listen Psychedelic '60s - Rare Tracks. Tracks count: 81. Views
Elektra Records had approached rock critic Lenny Kaye (not yet the guitarist with the Patti Smith Group) with the notion of compiling an album of great, overlooked rock tunes, but what Kaye came up with was something significantly different - an overview of the great, wild era when American bands, goaded by the British Invasion, began honing in on a tougher an. And Kaye's liner notes were nearly as important as the music in defining the importance of this music and its era. Very few "oldies" compilations have had an influence approaching that of Nuggets, and even fewer are as rewarding to listen to; if you care about rock music in the '60s, you need to own this album.
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|A1||–The Sweetarts||A Picture Of Me|
|A2||–The Mojos||What She's Done To Me|
|A3||–David Santo||Rising Of Scorpio|
|A4||–Sonostar||Save Wild Basin|
|A5||–The Chocolate Tunnel*||Ostrich People|
|A6||–The Free||(Days Of) Decision For Lost Song Blue|
|B1||–The Clue||Bad Times|
|B2||–Kid And The Outlaws*||Don't Treat On Me|
|B3||–H.M. Subjects||Don't Bring Me Down|
|B4||–Tidal Waves*||She Left Me All Alone|
|B5||–The New Breed||Green Eyed Woman|
|B7||–Scorpion||I'm Only Human|
|B8||–Skip And The Creation*||Im Calling You Baby|
- Lacquer Cut At – PRS Ges.mbH
- Pressed By – PRS Ges.mbH
- Compilation Producer – Gulb, TUT Company
- Design [Cover Design] – Curt Bachner
- Engineer – Carl
NotesEngineer: Carl, the musician behind the machine, whose musical talent was as important as his engineering skill
Printed in Sweden by Jåintstrøm
This Garage/Folk/Psych compilation is also known as "Good Roots" due to the fact that it was pressed in a limited edition of 500 hand numbered copies with centre labels stating the title "GOOD ROOTS" by "Paul Rothschild" and "Steve Garner".
The album cover is a folded piece of printed cardboard, the package was sold in a plastic sleeve.
A photocopied DIN A4 sheet with tracklisting and information was included.
The original matrix numbers are throroughly scratched out on both sides, all information except artist, tracks and 33rpm are made completely illegible with a marker pen. The label rim elevation, position of the original runout stamps and the origin of the release indicate cutting and pressing by PRS GesmbH (cut most probably by Helmut Leistner).
Specimen with plain white inner sleeve, ID 4912 000 1533. 2/W1/82. This type is usually included in PRS products.
TUT Company obviously refers to the Ton Um Ton Record Store, 1070 Vienna, and the (later) attached label, Ton Um Ton Records.